One of the delights of being a craftsperson or artisan is working with fine tools. In fact, despite my current fiber addiction, what initially drew me to weaving was the looms, rather that the yarns. The small weaving community is supported by an even smaller community of woodworkers, who keep us equipped to make our creations.
Some years ago I discovered a remarkable technique developed by handweaver Carol Leigh Brack-Kaiser, called Continuous Strand weaving. She practiced this technique on a unique loom that her son Carl Spriggs helped her to invent, the adjustable triangle loom. This technique allows the weaver to create her warp with her weft thread, thus eliminating the time-consuming process of “dressing” the loom (threading all those hundreds or thousands of threads through all those metal posts, or heddles).
In fact, it was my lovely cherry wood triangle loom that I used to create my daughter-in-law Sharon’s bridal shawl, as well as the shawls for her wedding party (this was also the shawl that niece-in-law Andrea used in her shipboard wedding in early June). And it was the Leigh/Spriggs follow-up invention, the rectangle loom, that I used to weave the many-colored wrap that I made to help comfort my mother-in-law Mary Moore in her precious but painful final weeks.
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